The Nature of the Job II: Structuring the archive of Yorkshire Wildlife Trust

In my last blog about my project cataloguing the archive of the Yorkshire Wildlife Trust, I wrote about how I got started with the survey of this archive. In this instalment, I'll be writing about my experiences in developing a structure for the archive, why it's important and how it'll translate to our online catalogue, Borthcat. 

Trying my hand at some slip listing for the Skipwith Common files.

From the very beginning of the project, I was aware of how vital it was for the structure of the archive to be right. The organisation was (and still is) a complex one and I want the structure of the archive to convey a sense of the wider scheme of the Trust's business, allowing users to contextualise, through their interrelationship, the individual records they look for. Of course this applies to all archives, but particularly so in this project for a number of reasons. Firstly, the archive is still very a much a living repository of information - it is actively consulted by YWT staff as part of ongoing legal and campaign work and there are regular accruals of new material. This means that the records themselves are not necessarily going to be in our physical custody and in turn means that the intellectual control we have over these records needs to be robust. Secondly, aside from the additional deposits of archival material already received, the Trust continues to dynamically develop and so the structure needs to make allowances for future growth. Thirdly, (and perhaps a little intimidatingly for me!) at the time of writing, no other Wildlife Trust in the UK has deposited archival material in such quantities in a public repository so it is hoped that this project will provide a model for any future Trusts in arranging their archives.

The beginnings of a structure!

So while the latter makes Yorkshire Wildlife Trust unique in both the scope of its archival material and its public availability, it also means that there aren't any parallel organisations for me to reference in structuring this archive. So I was relying on a number of sources in developing the scheme - first and foremost my own research into the records themselves, then the excellent published history in Tim Sands' book 'Wildlife in Trust: A hundred years of nature conservation' and then on the living memory of the organisation in the shape of members and trustees, some of whom form part of the board monitoring and supporting this project.

Using survey notes to identify links between files.
Here, minutes copied and sent to Executive Committee

As an organisation, YWT has changed over its 70 year life, shifting from an amateur conservation body in 1946 to a professional campaigning organisation. Alongside this have come numerous administrative changes, all impacting on how records were accumulated by the organisation. Luckily, these changes have been well documented (for the most part) and so I was able to get a good understanding of the provenance of the archive. These records of change were a useful point of reference for me in developing my structure, as were the numerous references to now obsolete filing systems - often filed by the initials of the person generating the correspondence, with date and document references, and then by an increasingly complex system of alphanumeric codes. I used these to give me an understanding of how committees, departments and individuals interacted with one another, as well as documenting the links between the centralised functions of the Trust and the vital operational work carried out all over Yorkshire by volunteer committees.

I started working on the structure of the archive at the same time as surveying the records. I've worked iteratively, and initially worked on the overarching structure of the archive. I'm now on the fourth (and hopefully final!) version which incorporates 7 subfonds covering the foundation of the Trust, its governance, administration, liaison work, conservation records and campaigns. The seventh subfonds, and the one I'll focus on here, is the one covering the sites associated with the Trust. The majority of the material in the archive relates to the sites that the Trust has owned, managed and advised on and each site has anywhere between 1 and 70 files including environmental records, management records and research into each site.

I decided to move away from slip listing and started to use a piece of
mind mapping software. Above: working copy of Skipwith Common version 3!

I started the process using the files of Skipwith Common, which is no longer a Trust reserve, but which was one of the first sites whose records I surveyed. My first, uncertain, attempt at a structure split the files into three subsubsubfonds (!) but I felt that this structure was too generic to really reflect with accuracy the unique and complex nature of the ecology and management of each site. This became increasingly apparent as I tried to apply this structure to more sites. I decided to go back to the drawing board and began to work on a different structure, which even as I started it, felt much better in tune with the nature of the records. A good lesson in going with your gut feeling, even as a new professional!

This overall structure will well reflect the types of records that are present in the archive as well as the symbiotic relationship between the ecology of each site and its stewardship. Further, although loosely based on the same framework, the records of each site will have their own individual structures according to the records that are deposited. 

Sneak peek at how the records for Askham Bog will look on our online catalogue

But how will it look online? This structure looks lovely and clear on paper (at least to me!) but will appear very differently through our online catalogue. Above you can see a sneak peek of the entry for Askham Bog as it currently stands, although before it's published there will be more information added and probably a different iteration of AtoM too! I'll be adding the descriptions of each file very soon and I'll be blogging about that process in the next instalment of this series. For now, I'll continue to add files to my skeletal framework and to refine the structure, adding new levels as more information comes to light. It's really exciting to see it finally taking shape and emerging from my sea of drafts!

Lydia Dean

Project Archivist

You can follow updates on this project via Twitter, Facebook and this blog. Please do get in touch with any questions or comments and I'll be happy to help! 

Remembering Private Thomas John Morgan

Well I far from home but you are not out of my mind.  I hope to be home by Christmas, if not before then.

These words were written by 18 year old Private Thomas John Morgan to his 7 year old brother Llewellyn in May 1916.  Two months later, Thomas would be dead, one of 4,000 Welsh soldiers killed in Mametz Wood during the Battle of the Somme.  The handful of letters he wrote home to his family in Llanfairfechan in North Wales survive as part of the Alfred Peacock Archive here at the Borthwick Institute, along with many other letters, postcards, diaries and photographs that tell of the terrible human cost of the First World War.

Thomas was born in early 1898, the eldest son of a Merionethshire quarry man and his wife.  By 1911 the family had settled in the small Welsh town of Llanfairfechan, just along the coast from Bangor.  Thomas was one of four surviving children, he had two younger sisters, Gladys and Margaret Ann, and his youngest brother Hugh Llewellyn, known as Llewellyn.  

We know from Thomas’ surviving army service record that he worked as a baker before he enlisted.  We also know that he lied about his age in order to join up.  In this he was far from unique. It has been estimated that some quarter of a million British soldiers in the First World War were underage.  Before the Military Service Act of 1916, recruits were supposed to be aged between 18 and 38, but they could not be sent abroad until they were 19.  Thomas enlisted in November 1915 at the age of 17, giving his age as 19 years and 14 days so he would be immediately eligible to be posted overseas.  He also barely met the height threshold of 5 feet 3 inches, coming in at only half an inch taller.

The ruse worked and Thomas was accepted into the 16th Battalion of the Royal Welsh Fusiliers and posted to France in March 1916, at the age of 18.  His letters home from France provide glimpses of his personality.  Despite his claims that he is ‘not a letter writer at all’ he promises to write and send field postcards at ‘every opertunity [sic] I get’ and requests paper and envelopes from home and letters as often as they can send them.  ‘You should see the smile on the lads’ faces when they get a parcel,’ he writes in May 1916, ‘It is the only thing to look forward to here.’

Looking forward to leave and parcels from home in this letter from May 1916.

The occasional odd phrasing and misspellings in the letters are a reminder that English was unlikely to have been Thomas’ first language, but that Welsh speaking soldiers were expected to use it regardless so that their letters could be more easily censored.

His letters are full of local concerns.  He mentions local men he has seen at the Front, telling his mother he has seen ‘Lloyd’s brother’ in the camp at Boulogne, and has spoken with ‘Tom Parry’ and asks to be remembered to everyone at Llanfairfechan ‘who I know.’  In May 1916 he writes to thank his mother for sending her ‘bara brith’ (a Welsh tea loaf) which was ‘very good indeed’ and asks if his father knows anyone from Manod Road as he had met a soldier from there by the name of Alun Jones.  He also worries about his mother receiving enough of his army pay, ‘I know you cannot spare the money and I think I can do without it here.’

Born and raised in a still largely rural area of Wales, he is critical of the more wasteful practices he sees.  In June he complains of skirmishing exercises taking place ‘in the middle of corn and potato fields which are to be seen for miles.  Now it is all spoiled, it is a great shame I think.  If the war happened to be there I wouldn’t say nothing but only for training it's a great shame we all think.’  

The most touching letter of all is the one to his little brother Llewellyn, enclosed with a letter to his mother in May.  ‘I received your kind little letter quite safe,’ Thomas writes. ‘Thanks very much for the song you sent me I am very glad of it.  I am sending you a handichief [sic] and one for Gladys & one for Margaret Ann. You can pick for yourself which you like best,’ adding ‘I must say that you are getting on well at school to be able to write letters like you are.’

He ends one of his final letters home with the hope that he might soon get leave, finishing ‘Well good bye now and God bless you all & please don’t worry.’  

The Battle of Mametz Wood began on the 7th July and Thomas was reported missing on the 11th, later confirmed as killed in action.  By some administrative error, his mother Margaret received notice only that he had been ‘discharged to duty’ and wrote to his regiment on the 21st July seeking further information, ‘Could you please let me know where he is, as I am so anxious to hear from him & trust you make enquiries for me, as it is a long time since I had a field post card, trusting it will not be troubling you too much.’

The letter informing Thomas' mother that he has been killed in action.

The terrible news was sent on the 28th and Margaret spent the next four years desperately searching for further news of the circumstances of her son’s death and his burial place, to no avail.  An army chaplain, replying to one of her letters in September 1916, wrote that ‘the probability is that he was buried where he fell with many of his comrades from the Battalion.  We did not have the opportunity of burying the brave fellows who fell in Mametz Wood, as immediately after the battle we moved elsewhere.’

Thomas’ resting place was never found and today he is commemorated on the Thiepval Memorial to the Missing of the Somme in France and at home in Llanfairfechan on the war memorial on Aber Road.  His letters, and those of his mother, are a testament to just one of the many individual and family tragedies that make up the First World War.  

On Armistice Day we remember them.

NB. This blog was written in 2016. In 2019 its author was able to locate the grave of Thomas Morgan's parents in a quiet corner of a cemetery in his home village of Llanfairfechan. Although Thomas' body was never brought home, his family had remembered him on the gravestone, which reads

'In loving memory of John Morgan, 3 Lewis Terrace, Llanfairfechan, who fell asleep September 29, 1929. Aged 63 years

Also Thomas John Morgan son of the above who was killed in action, France, July 11th 1916 aged 18 years. Rest in Peace

Also Margaret, wife of the above, who passed away August 17th 1945. Aged 76'

Testing the online catalogue: results of user testing

Back in the Spring of this year, we carried out two phases of user testing on our online catalogue, Borthcat.   The key results of the first phase of testing are described over on our Digital Archivist, Jen Mitcham's, blog, as well as some of the actions we were able to take prior to the public launch of Borthcat in April 2016. While the basic phase of testing allowed us to make some really practical and in some cases speedy changes to the catalogue interface, the second phase of testing really gave us insight into individual user interactions with the catalogue  to examine how users search for and retrieve information from our holdings. Whilst results of similar testing have been carried out with Access to Memory (AtoM: our web-based, open-source archival description software) in one or two other institutions in North America, at the time of testing the Borthwick was the first UK AtoM user to carry out such detailed work. The findings of both the first and second phase of testing formed the backbone of my Masters dissertation in Archives and Records Management and, as I'm graduating from the University of Dundee next week (!), it seemed like the perfect time to give you a report into the results from the more detailed tests we carried out.

The Borthcat homepage

Why did we do it?

Across the archives sector, online access to information is now pretty much routine and users often expect digital versions of finding aids and, ideally, digitised version of the documents that they can search and examine. In developing our own online interface, Borthcat, we wanted to make sure that not only was information available to users but (more crucially, in my opinion) that users were able to successfully find that information using the tools we had provided. Looking at our own user base from the statistics we capture, between March and April 2016 - just prior to the launch of Borthcat - there were over double the amount of remote enquiries (1614) to physical visits (731) to the searchroom. In the same period there were over 13,300 unique hits our online digital document repositories: Find My Past, the Cause Papers and the Archbishops' Registers. We wanted to make our catalogue as informative and accessible as possible, not least because a large proportion of both our current and future users are researchers who may never be able to physically visit us at all.

How did we do it?

Jen's blog explores the results of the first phase of testing that we carried out - recruiting our users through a mixture of social media channels and onsite advertising in the searchroom and asking them to complete a brief online questionnaire.

The second stage of testing asked participants to work through a series of set exercises using Borthcat while being observed. During these sessions, participants' screens were recorded using Screencastify to capture their mouse movements and the number of clicks they made.

We wanted to capture some qualitative data on user interactions to enrich the statistical information we'd obtained in the first round of testing. We used the Archival Metrics Toolkit (a fantastic resource!) to help design the exercises and tried to ameliorate the effects of such a controlled environment. Of course, we couldn't hope to fully replicate a researcher's independent enquiry but the results we obtained were interesting and gave us an insight into our users that we hadn't had before.

What did we find out?

Here are just a few of the main findings from the testing.

Limited use of hierarchical menu

Users heavily relied on using the free text search bar at the top of the Borthcat homepage to identify records. Only one participant in the second phase of testing used the hierarchical information available on the left-hand side of the screen, and another used free text searching as their sole retrieval technique throughout the test period. This could be for a mixture of reasons. The majority of our entries in Borthcat are at collection level, and so there are fewer hierarchical descriptions available currently (although the test exercises focused on those archives with full catalogues). Further, and as reflected in the basic phase of testing, many users have become familiar with a free-text search when using search engines like Google.

Overwhelming 'wall of text'

Users found the level of information available on each entry, and the amount of results returned for some searches, to be overwhelming in some cases. There was an overall idea, again in common with the basic testing, that users wanted Borthcat to be able to tailor information more specifically to their queries. I think that this is where the presence of an archivist or the staff in the searchroom who understand our holdings are the most valuable asset we can have; this situation would be more easily resolved for a researcher who was onsite and able to consult a staff member for advice. Where the researcher is remote and is searching for unfamiliar (or unknown!) material then it is vital that the catalogue presents information clear enough for them to make an informed choice.  Some users in the observed tests used keyboard techniques like CTRL+F to narrow down occurrences of specific terms within an archival description, although the majority didn't.

Typeahead search suggestions 

Understanding icons

A further usability issue to come out of the detailed testing was that the icons used in Borthcat's 'Typeahead' search - where potential results are generated as you type - are not defined in our customised iteration of AtoM. In an exercise designed to look at how users interacted with our subject-term listings, participants were asked to find out how many of our holdings contain diaries - a subject terms that has been linked across several separate archives. The majority of users did this by searching for the term ‘diaries’ in the free-text search box. When they did so they were confronted by several entries, all called 'Diaries', at item, file and sub-series level, all from separate archives, as well as a subject term entry for diaries in general. The archival entries are all marked with a 'description' icon and the subject entry is marked with an icon showing a label. For those of us working with Borthcat on a daily basis, it was simple to select the relevant entry and to continue our work but most participants in the study repeated the search several times in order to work through all the options before finding the entry they required. This allowed us to identify a way to improve the usability of Borthcat as well as giving us food for thought in how we construct the titles of our records. The linking of records through the use of different subject terms is one of the most interesting capabilities of AtoM - it allows connections to be made across archives in a way that would be very difficult to do using paper finding aids and can draw out unexpected links. Being able to see how users interact with this capability over the longer term will be very important in understanding how researchers can make the most of the information we hold.

A personal connection

It really came across during the testing that users value a personal connection to their research, either through searching for personal names or through bringing their own research contexts and knowledge to the way they search for information. Several users commented that they would really appreciate a feature that would allow them to collect all the records they found interesting in order to look at them again or to send them through to the searchroom for retrieval. This wasn't something I had expected, but is something that other archives do. A great example is the pinboard feature at the Marks and Spencer archive, Marks in Time.

Carrying out this exercise has been really helpful in understanding that what our users want from our records and what we think they want isn’t always the same thing. Involving our users directly in the development of Borthcat was also a fantastic opportunity to engage more with our audience on a project that will be of practical benefit. I must thank all of the participants who took part in each phase of testing; without their invaluable contribution of time in completing both the survey and the observed exercises, we would not have been able to gain the insights we have done into how our users retrieve information, and how they'd like to be able to retrieve information in the future. It is of vital importance for us and for other archive repositories to keep our users’ needs at the heart of their considerations when making archival information accessible online.

Lydia Dean

Archivist

The results of this user testing have been discussed in more detail in my MLitt dissertation ‘Access to Memory: Understanding how users of the Borthwick Institute search for online archival information’ through the University of Dundee. You can find out more about our work with AtoM through our blog and Jen's blog 'Digital Archiving at the Borthwick' .

Up and AtoM: The Borthwick Institute Goes To South Korea

In September I was fortunate enough to present a paper on the Borthwick’s new online catalogue at the International Council on Archives Congress 2016.  Held every four years, the ICA Congress is a unique opportunity for record keeping professionals from all over the world to meet and share ideas and achievements and discuss the challenges facing the profession.  It seems appropriate then that the theme of the 2016 Congress was Archives, Harmony and Friendship and the location chosen was Seoul in South Korea, a country with a history of codified archival practice that dates back to the advent of Joseon Dynasty in the fourteenth century.  

I arrived in South Korea on Monday afternoon, after some 11 hours of travel, and had the evening to get acquainted with the Gangnam-gu District in which I was staying.  Gangnam-gu is one of twenty-five districts in Seoul and home to half a million people (Seoul as a whole has a population of 10 million).  Fortunately it was only a short walk from my hotel to the venue of the Congress, the COEX Convention and Exhibition Centre, although I had plenty of opportunity to try the city’s extremely efficient subway system later in the week for some night time sightseeing.  

Out and about in Seoul.  From left to right: navigating the Yongsan shopping plaza; climbing the medieval city walls in Naksan Park; walking back through Gangnam-gu to my hotel.  

My experience of British conference centres had not prepared me for the scale of the COEX.  The 4 storey conference and exhibition centre sits on top of the COEX shopping mall, Korea’s largest underground mall boasting several hundred shops, two food courts, a multi screen cinema and an aquarium.  

The COEX Convention and Exhibition Centre in the Samseong-dong area of Gangnam-gu

The congress itself was spread across a single floor and included archival exhibitions by the National Archives of Korea and opportunities to try traditional Korean arts, crafts and costumes, as well as two exhibition halls showcasing the work of various recordkeeping organisations and vendors.  

A display by the National Archives of Korea in the COEX, showcasing some of their most important Royal documents.

An example of the Annals of the Joseon Dynasty.  The annals were kept from 1413 to 1865 and have been added to the UNESCO Memory of the World Register.

Each day opened with a keynote speech, followed by a variety of panels and workshops running alongside each other, sometimes up to eight at once.  Choosing which of the many presentations to attend was akin to going through the Christmas Radio Times with a highlighter, which is to say challenging!  Over the course of four days I attended presentations and workshops by colleagues from Australia, Fiji, Nepal, Brazil, Amsterdam, Switzerland, Norway, China, Japan, Saudi Arabia, the Philippines,  America, Canada, the UK and of course, South Korea.  

Staff from the National Archives of Japan lead a workshop demonstrating the
latest restoration techniques used for flood damaged records.

The subject matter varied enormously.  A keynote speech by John Hocking of the United Nations highlighted the crucial role played by archives on a global scale in testifying to atrocities and making it possible for victims to seek justice in the international courts.  Equally sobering however were the case studies presented by colleagues from Australia and British Columbia looking at the role played by archive projects in addressing historical discrimination against Aboriginal and First Nation communities and the need to work with indigenous peoples to develop more inclusive recordkeeping protocols for the future.

Shaun Rohrlach from the National Archives of Australia discusses the Forced Adoptions History Project.  You can read more about their work at their website.

Helen Walker reads a paper by Opeto Alefaio of the National Archives of Fiji highlighting the valuable work of the Pacific Island archives in setting up travelling Archives Roadshows to share records with local communities, often for the first time.  
Find out more at their Facebook page.

Other presentations focused on the opportunities offered by new and developing technology, whether in meeting the challenges posed by born-digital archives or using new technology to bring more traditional records to a global audience.  A keynote speech from Laurent Gaveau of the Google Cultural Institute demonstrated the ability of the Google cultural app to take users of virtual tours of museums and historic sites and to deliver high resolution images of art and documents.  Tim Harris showed us how such innovative technology enabled archivists to find new solutions to old problems, showcasing the collaborative work of the London Metropolitan Archives in using 3D photography to digitally ‘flatten’ the previously unreadable Great Parchment Book, a unique record from 17th century Ireland.  

The Great Parchment Book before conservation and digitisation work began.
Read more about the project here.

From developing new computer programmes and websites in conjunction with colleagues in computer science and the digital humanities to using the power of the world wide web to collaborate with colleagues across continents, the congress was an inspiring reminder that none of us are alone in our work and that the help and expertise of colleagues within and without the profession can enhance what we do and allow us to reach a wider audience than ever before.

I was certainly aware of this when presenting my own paper on Project Genesis at the Borthwick Institute as part of the Congress’ ‘New Professionals’ panel.  

The nerve-wracking wait for my panel to begin!

The creation of our first online catalogue has drawn on the knowledge of colleagues in computer science and in the digital library, on the experience and insight of fellow archivists - both new professionals and more established colleagues - and the many users of AtoM around the world who have contributed to the development of AtoM and offered advice through the user forum online.  I was pleased to be able to acknowledge this in my paper and to show how the launch of our catalogue, Borthcat, is already making a difference to how we share information about our holdings with our global userbase.  

My paper was an opportunity to share our new online catalogue, Borthcat, with colleagues from around the world.

My paper was well received and led to a number of very useful conversations with current (and potential) AtoM users that I have been able to follow up on over the past few weeks.

The end of the Congress was marked with a day of professional visits.  I chose to visit the Seoul Repository of the National Archives of Korea, followed by a traditional lunch and then a trip to the Korean Folk Village at Yongin.  

Sharing a very plentiful Korean lunch on my last day in the country.

The National Archives is one of three in the country, a reflection of the three archives that housed the records of the Joseon Dynasty for hundreds of years.  The Seoul Repository was completed in 2007 and is built in the shape of a traditional jewel case and surrounded by forest.  We were given a full tour by the very friendly staff, and I think more than a few of us were rather envious of the repository's impressive facilities!  

The strongroom containing the most rare and valuable records at the National Archives of Korea, Seoul Repository.

Visiting the Conservation Laboratory at the Seoul Repository.

We were even given a live demonstration of repository’s ‘water wall fire prevention system’ in case of forest fires.  When ambient temperature reaches 80 degrees, a series of nozzles around the roof of the building pumps out 1,105 tonnes of water over the course of 75 minutes, creating a wall of water (and, as we discovered, an awful lot of spray) as shown in the video below.

After a very plentiful Korean lunch, we spent an enjoyable afternoon at the Folk Village, exploring recreations of houses and workshops from different eras in Korea’s history and buying some souvenirs to bring home.  

Exploring traditional Korean houses at the Folk Village in Gyeonggi province outside Seoul.

I marked my last evening in Seoul with one final plate of Korean speciality Bibimbap and a trip to the COEX underground aquarium to try the promised ‘fantastic water journey’ which involved sharks, penguins, seals, and guinea pigs (but not all at once).

A familiar red phonebox and a posing penguin at the COEX Aquarium.

The Ocean Tunnel, COEX Aquarium.

Although I’d been nervous about travelling so far by myself and attending a conference where I knew no-one, I soon found I needn’t have worried.  Archivists and record keepers are a friendly and welcoming bunch and the Seoul subway is hands down the most user-friendly transport system I’ve ever been on.  I came back to York with lots of new ideas, a lot of photos, and a deep appreciation for the work archivists do and the important reasons we do it.  

The Thursday evening buffet dinner was an opportunity to chat about the week, try Korean food and enjoy some traditional song and dance performances.

To borrow from one of my favourite case studies of the Congress, looking at the excellent work of the Pacific Island archives, for those of us who work with archives every day it can sometimes be easy to forget what a source of wonder they can be.  My week in Seoul was the perfect reminder.

Heunginjimun, commonly known as Dongdaemun Gate.  One of the 8 gates in the medieval wall of Seoul (and one that took me quite a hike to get to!).

A 4 minute highlight reel of the Congress is available on youtube.

James Hornby: Heslington Hall Horticulturalist

BI/JHOR/4/1/4 James and Mary Hornby

Earlier this year we were gifted a very exciting archive - the archive of James Hornby, head gardener at Heslington Hall between 1870 and 1902. This small but fascinating group of records gives us some real insights into the day-to-day role of a Victorian head gardener, and well as a different perspective on life at Heslington Hall, formerly the home of the Yarburgh family and now one of the University's most iconic buildings. The archive includes many photographs and drawings of the Hall as well as portraits of James Hornby, his wife Mary and members of their wider family, letters (including one from the then Lord Deramore thanking James Hornby for putting out a fire in the Hall!) and even a medal for prize-winning pears.

However, for me, the most fascinating document in the archive is James Hornby's 'Diary of Operations' which documents the first eighteen months of his 32 year employment at Heslington Hall. It showcases the beginning of the changes in the gardens at the Hall, starting with a note dated 18th August 1870 stating ‘No peas, nor cucumbers, nor melons nor yet many vegetables of any kind’. Even over the span of time recorded in this journal, it is possible to see James Hornby, at the head of a team of gardeners, taking and shaping the gardens into both an ornamental space and a productive garden supplying Heslington Hall with fruit, vegetables and flowers.

BI/JHOR/1/1/1 Pages of James Hornby's horticultural journal

The journal records successful cultivars, harvest dates, crop yields and temperature changes, as well as practical tasks such as cleaning the glasshouses, whitewashing and even (repeatedly!) mending a lawnmower. The image of the page above shows a typical spread of entries and illustrates one of the other ways in which this document helps us to understand the role of this head gardener. As with many of the other pages, these entries include backdated annotation, often in different coloured ink, which indicate how some tasks were recorded and then amended or added to at a later date. The detail below shows and entry recording potatoes being planted out on January 31st, with a note added in purple ink to say that the first dish was collected on April 9th but that it would be beneficial to plant a crop in time for Easter Sunday instead.  

BI/JHOR/1/1/1 extract of a page of James Hornby's journal

Even for those of us who aren't keen gardeners, the journal is a really interesting record documenting as it does the rhythms of life at Heslington Hall and events in the life of the Yarburgh family, including visits from ‘company’ for evening events, periods when the family are away from Heslington and also the birth of George Nicholas de Yarburgh-Bateson, noted as ‘Master Nicholas’ in November 1870. With characteristic brevity, it also records events in James Hornby’s own life including frequent visits from his brother William and trips to country fairs, including one to his home-town of Gisburn. 

BI/JHOR/4/2/2 James Hornby at the rear of Heslington Hall

The catalogue, listing each item in the James Hornby archive, is now available online through Borthcat and also includes a brief biography of James Hornby himself. All of the material is available for consultation in our searchroom and enquiries can be made via borthwick-institute@york.ac.uk. 

Lydia Dean

Archivist

The nature of the job: surveying the Yorkshire Wildlife Trust archive

Most of the boxes of the YWT archive;
we've since added a few more!

So, I'm about halfway through the 12 months of the Yorkshire Wildlife Trust archive project - and what a six months it's been! The time is going quickly; summer was filled with continuing the survey of deposited material, drafting and re-drafting an archival structure and finishing off my Masters in Archives and Records Management at the University of Dundee. Now the Autumn has rolled around again and the new academic year is here, I wanted to give a quick update on the progress of the project so far and what's yet to come. I'm intending to do a few related posts, which you can explore through the labels at the bottom of the page - clicking either 'Yorkshire Wildlife Trust' or 'new professional' should show all the project-related posts - that will outline the more practical side of the project. This is the first in that series and is going to look at how I, as a newly qualified archivist, have approached surveying what is a large and complex archive.
I began my project by reviewing the box lists that were supplied when the material was accessioned. This gave me an idea of how varied the material is, as well as getting a handle on its original order. I then went to have a look at it on the shelves in the strongroom (left). This really brought home what just over 3.5m3 of archive looks like! For the most part, the material had been repackaged when it arrived so it was all neatly wrapped and divided in archival folders.

Boxed and unboxed files in the strongroom.

I decided to have a look at a couple of what I thought would be key files before I started the proper survey and I selected some of the foundation papers of the organisation, including correspondence from just before and just after the Trust was established, as well as the minutes of their first meeting. I also had a look at some of the unpackaged material relating to Askham Bog, which was the Trust's first reserve. This not only gave me insight into the post-war context in which the Trust was established but also gave me key names of the founding members - among them Arnold Rowntree and Francis Terry - and an idea of how the original Council thought the organisation would be structured. Examining the reserve files was a further step in understanding not only the sort of information likely to be found in the files - from scientific recordings of the habitat and species present, to photographs, through to independent research about the site - but also how the files were put together.

Askham Bog environmental data, 1933. 

I wanted to use the survey phase of the project to achieve several key objectives. Firstly, to get a good understanding of the material and how it fits together to intellectually represent a whole organisation. Secondly, to make a note of the content of each file: the types of records it contained, key topics covered by the file, significant correspondents and covering dates which will all be useful in describing the file at a later stage of the project. Thirdly, to gain an understanding of how the file was put together: did it have an intellectual order, was it structured around physical or practical constraints such as the size of the folder or the capacity of a filing cabinet drawer, who generated or collated the material and for what purpose. Fourthly, as both a new professional and as an outsider to the Wildlife Trust, to build up my knowledge of the depth and breadth of the archive.

A page of notes from my survey of
material on Bretton Lakes

Although only eight weeks were allocated to this phase of the project in the original project plan, I decided to take a little longer to do a more detailed survey concurrently with some structuring and describing of records (more of the latter in a future post). As the project was designed to describe the archive to file level, I needed to ensure I had enough information to create a usefully detailed description which could convey the right information to researchers - information to which they wouldn't have access otherwise.

I have worked in what I suppose is a pretty analogue way, filling four notepads as I've gone along and then reappraising what I've written as I type it into a master spreadsheet. From there, I've been able to move files around and to separate different levels of the archive out for further examination. This phase of the project is coming to an end now and I will be continuing with the final tweaks to the structure of the archive and starting to describe the records in our online interface, Borthcat. Whilst it will be refreshing to move from leafing through files to adding to our online catalogue, I'll miss discovering lots of little snippets, and discussing them with my (very patient!) colleagues. I have been adding some of these to Twitter and Facebook as I've gone along, and I'm sure there'll be more to come as I finish the last few boxes this week.



Lydia Dean
Project Archivist